Fashion Features Film Lists Movie Trilogies Whose Second Part Is The Best

10 Movie Trilogies Whose Second Part Is The Best « Taste of Cinema

10 Movie Trilogies Whose Second Part Is The Best « Taste of Cinema

In relation to film trilogies, the second half is often one of the best. Not solely does the success of the primary movie grant its sequel a more healthy finances, it additionally provides the filmmakers an opportunity to enhance, broaden, and construct on what got here earlier than. If every trilogy retains elevating the stakes with every subsequent entry, then the second half is the center half the place the stakes are good; they’re not overdone like the standard third movie, however are progressively greater than the primary.

In fact, each trilogy is totally different, with some having the primary movie setting the requirements so excessive that every part that comes afterwards fails to match it. Regardless of the case, we will all agree that the third one isn’t the perfect. What about “The Good, the Dangerous and the Ugly” from the ‘Dollars’ trilogy, you say? Okay, we hear you, however that’s one uncommon event.

Apparently, trilogies are quick turning into a factor of the previous with each trilogy these days getting become a quadrilogy, pentalogy, and hexalogy. It’s solely thematic trilogies that keep at three, with every thing else that proves to be a field workplace success getting prequel-ed and/or rebooted sooner relatively than later.


1. A Movie Trilogy by Ingmar Bergman
The Second Half: Winter Mild (1962)

Winter Light

Ingmar Bergman’s early ‘60s output noticed the filmmaker undertake his strongest, difficult, and private movies in a thematic trilogy. Related by way of themes of insanity, madness, religious and non secular crises, the philosophical director drew from his personal spiritual upbringing. Focusing extra on particular person tales in a time when the world was turning into more and more violent, Bergman’s trilogy offered the world with a number of the director’s darkest works in three chamber items.

Though “Via a Glass Darkly” would go on to win the Oscar for Greatest Overseas Language Movie, it’s the weakest of the three however a masterpiece nonetheless. Sven Nykvist proved once more to be one in every of Bergman’s biggest belongings together with his minimal but affectingly lovely cinematography subsequent to Harriet Anderson’s highly effective efficiency.

“Winter Mild” is undoubtedly certainly one of Bergman’s biggest and most compelling movies. It’s probably the most relentless of the trilogy but in addition the only. Bergman referred to as it the movie during which he’s most glad with and his private favourite. For all the good performances Gunner Björnstrand gave Bergman through the years, his position as Pastor Thomas Ericsson is his crowning achievement.

“The Silence” is considered one of Bergman’s extra distinctive and racy footage and options much less dialogue than he’s recognized for. As an alternative, it depends on Nykvist’s stark visible poetry with its eerie setting in an deserted lodge in a metropolis getting ready for warfare. The presence of God is much less current right here than within the different two, as a result of God is silent, or no less than this world is silent onto him. A shock field workplace success, “The Silence” is Bergman experimenting efficiently and ending off his trilogy in a wierd but poignant method.


2. The Godfather Trilogy
The Second Half: The Godfather Half II (1974)

Francis Ford Coppola’s ‘Godfather’ collection is a towering cinematic achievement that incorporates a few of the two biggest movies ever made. By means of themes of household, immigration, the American dream, and crime, the collection chronicles the Corleone household’s trials and tribulations through the years, with a number of the greatest actors and filmmakers to ever grace the medium.

Few movies are as iconic because the “The Godfather,” which matches from one unforgettable sequence to the subsequent. From its opening scene to its closing moments, Coppola and co-writer Mario Puzo, whose novel the collection is predicated on, crafted an epic crime drama that’s wealthy on the Italian-American expertise. Endlessly influential, it’s uncommon for a movie and its sequel to each have the identical degree of greatness and affect.

With “Half II,” Coppola went above and past, giving us a portrait of father and son in two totally different timelines. The daddy arrives within the land of alternative and creates his personal future, whereas the son inherits a legacy that‘s been handed down the road.

Each have totally different challenges to beat however each are united by the worth they need to pay for household and honor. Each a sequel and prequel, “The Godfather Half II” cuts forwards and backwards between the 2 totally different eras to supply a singular and difficult portrait of legacy, which provides it an edge over the unique.

With “Half III,” all of it fell aside via some poor casting decisions and questionable storylines. Changing Winona Ryder on the final minute together with his daughter Sofia Coppola does the movie extra hurt than good. The person storylines don’t work in addition to they did with the earlier two movies, and Robert Duvall is sorely missed.

Nonetheless, Al Pacino provides one other stellar efficiency because the world-weary and guilt-stricken patriarch with Andy Garcia stealing the present as Sonny’s bastard son. “Half III” just isn’t as dangerous as its fame may have you consider, however in comparison with what got here earlier than, it’s disappointing on a number of fronts.


three. Star Wars Unique Trilogy
The Second Half: The Empire Strikes Again (1980)


The unique Star Wars trilogy was a landmark and iconic film trilogy that captured a era’s creativeness and generations after that. With a genius transfer by George Lucas to first launch Episodes VI-VII earlier than Episodes I-III, the unique trilogy put audiences proper in the midst of an thrilling saga the place questions have been but to be answered.

“A New Hope” did a tremendous job of introducing us into the galaxy far, distant with thrilling new visuals, an immediately recognizable rating, and thrilling storytelling that took blockbuster filmmaking to the subsequent degree. “The Empire Strikes Again,” nevertheless, took all these accomplishments to the subsequent degree in what’s nonetheless the perfect movie of your complete collection.

Whereas “Return of the Jedi” has a few of the collection’ greatest moments and closes off the trilogy in a satisfying means, it does have its flaws. For all their cuteness and effectiveness, the Ewoks get tiresome after their introduction. The pacing is everywhere in the tempo with some sequences dragging and others over before they need to be.

“The Empire Strikes Again,” nevertheless, is probably the most flawless Star Wars film in all the collection and works simply in addition to a standalone movie. Each sequence is as thrilling because the final, providing a number of the most iconic and memorable scenes and quotable strains of dialogue. Director Irvin Kershner and screenwriter Lawrence Kasdan instilled a darker and extra complicated tone to the collection in what’s one of many biggest sequels in cinema.


four. Evil Lifeless Trilogy
The Second Half: Evil Lifeless 2 (1987)


Sam Raimi’s indie horror franchise is among the most enjoyable film creations to ever be dreamt up. Mixing horror and comedy fairly like nothing earlier than or since, it’s arduous to not fall in love with the its distinctive model of overacting, gore, and good old style B-grade aesthetic.

Whereas the unique has much less comedy than its sequels, the primary movie, “The Evil Lifeless,” modified unbiased filmmaking eternally. Barely in his 20s, Raimi and his band of misfits created a low-budget horror basic out of the love and enjoyable of cinema and it interprets by means of each facet of the movie’s manufacturing. As a straight horror, it really works wonders with its fast tempo, stylized digital camera work, and sensible sensible results and make-up.

The lunacy got here tenfold within the sequel and franchise’s greatest movie. Including extra humor and madness to the story, “Evil Lifeless II” is the right mix of horror and comedy that’s but to be matched. Raimi introduced his maturing experiences as a director to make an audacious sequel that improves on the unique due to its greater finances.

Right here, Bruce Campbell’s Ash turned as iconic as any horror icon, particularly for his specific model of idiocy and bodily efficiency. It’s the movie that greatest represents the franchise and is the epitome of a cult basic.

The a lot polarizing “Military of Darkness” delivered extra comedy than horror and ramped up the silliness to new ranges, and in the long run is all the higher for it. Endlessly re-watchable and endlessly quotable, there’s nothing as enjoyable as watching Ash wreak havoc in 1300 AD England, even when the movie doesn’t fairly attain the heights of what got here earlier than.


5. The Vengeance Trilogy
The Second Half: Oldboy (2003)


Related extra by themes of revenge, violence, consequence, and redemption than narrative, Park Chan-wook’s Vengeance trilogy is one other constant trilogy the place one of the best movie relies upon completely by yourself tastes. Displaying how underneath the worst circumstances anybody could be able to violent acts, all of the protagonists go on a bleak odyssey of revenge on those that wronged them.

As cliché as it’s to name “Oldboy” the most effective movie of the trilogy and even Park’s greatest general movie (it’s the gateway movie into the director’s filmography), you possibly can’t argue with its status. It goes deeper than its brother and sister in displaying the totally different results of revenge and the way it can evolve over time and the results inherent.

“Sympathy for Mr. Vengeance” kicked off the trilogy in wonderful trend. With a slower and extra calculated tempo than its friends, Park takes his time constructing the story earlier than tightening the noose within the remaining half-hour. The environment right here is palpable and works wonders in scenes the place the dialogue is on the sunshine aspect. It’s additionally extra grounded in actuality than the over-the-top stylings and motion sequences of “Oldboy,” however is simply as unforgettable.

“Sympathy for Woman Vengeance” matches someplace in between the slow-burn thriller of “Sympathy for Mr. Vengeance” and adrenaline-soaked madness of “Oldboy.” Making the story a few feminine protagonist provides a unique layer to what got here earlier than. Maybe the extra visually hanging of the three, “Woman Vengeance” continued Park’s innovation on the revenge style in what’s probably the greatest and most unpredictable movie trilogies.

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